The following is an interview between Muhammed Malik and Jeremy Scahill. Malik is a human rights advocate and social commentator, born and raised in Miami (full bio below). Scahill is national security correspondent for The Nation and the author of the New York Times bestseller ‘Blackwater: The Rise of the World’s Most Powerful Mercenary Army’ and ‘Dirty Wars: The World Is a Battlefield’, released in April, which explores the consequences of the global War on Terror. Scahill will be in Miami on Saturday night to field questions following the screening of the ‘Dirty Wars’ documentary at O Cinema’s Miami Shores location.
“One man. Three women. One night.” Sounds like the makings of a Miami story. In fact, it was the tagline for the film The Night of the Iguana, an adaptation of the Tennessee Williams’ play of the same title that chronicles a single, lascivious night — never, “since Man has known Woman,” has there been “such a night,” says the film trailer’s narrator.
With Lebron James, Dwyane Wade and the rest of your Miami Heat just starting their playoff run, the Borscht Film Festival this week released the full version of “Adventures of Christopher Bosh in the Multiverse,” which premiered at Borscht 8 back in December.
First things first: Learn how you can enter to win a pair of tickets to ‘Room 237′ on the Beached Miami Facebook page.
If whenever you see a pair of closed elevator doors at the end of a long, quiet corridor you brace for a tide of wine-dark blood, then you’re probably pumped for (or terrified in anticipation of) O Cinema’s Stanley Kubrick retrospective next week, which will comprise eight films (seven by Kubrick and a new documentary about the auteur’s terrifying masterpiece The Shining), several panel discussions about the man many consider the greatest filmmaker of last century, and even a remote Q&A with Full Metal Jacket star Matthew Modine.
Most people know Maurice Sendak and his book Where The Wild Things Are, which, since its publication 50 years ago, has transported millions of children around the world to a darkly magical island in their minds. But who’s this Tomi Ungerer guy whom Sendak says taught him “to be braver than I was”?
In the beginning of Beware of Mr. Baker, Ginger Baker smacks Jay Bulger in the face with his walking cane, sending blood streaming down the filmmaker’s nose. It’s a fittingly aggressive start to a film that chronicles a life spent hitting things: hitting joints, pummeling his veins with heroin, hitting the dusty road on an improbable musical excursion through the Sahara, even whacking polo balls from the backside of a galloping horse — and, of course, banging out drum beats that transformed rock and roll.
On Saturday, the Borscht Film Festival presented its eighth quasi-annual short film program to a crowd of hundreds at the Adrienne Arsht Center for the Performing Arts. While Borscht will continue to host events through this coming Friday, the Arsht Center screening was the festival’s main event, the culmination of months of work on mostly Miami-centric films, many of which Borscht commissioned and produced itself.
Fresh off of receiving a $500,000 vote of confidence from the Knight Foundation and landing two spots in the Sundance Film Festival’s 2013 Short Film Program, the Borscht Film Festival is getting ready to present its eighth edition of Miami-inspired independent cinema. (See ticket giveaway details at bottom of post.)
Premiering next week, Rising Tide is a documentary by local filmmaker Andrew Hevia, a member of the Borscht Film Festival crew, that focuses on seven Miami artists, including Jen Stark, whose mesmerizing work with colored paper we’ve featured in the past.
With Election Day looming, there is a tension in the air all across America that even a diligent disregarder of politics can’t help but feel. The heated presidential contest between Barack Obama and Mitt Romney, with its bottomless negativity and relentless fear-mongering, has brought the tension to new heights, but, in truth, America now exists in a perpetual state of hyper-partisan apoplexy, and has for all of the 21st Century.