Recap: Soulwax at the Raleigh

By | December 1st, 2011 | 3 Comments
Soulwax

Soulwax, led by the Belgian brothers Dewaele, played the MOCA LA-Deitch Projects party Wednesday night.

Last year, the invitation-only, joint Art Basel Miami Beach kickoff party thrown by MOCA LA and Deitch Projects was possibly the most buzzed-about party for the Venn diagram overlap of cool kids from the art and music worlds. The occasion, then, was a private set by LCD Soundsystem, then already rumored to be on its way out as a regularly touring band. Though the Raleigh’s sandy back pool area was set with round banquet-style tables, soon the crowd crammed between them and resourceful crashers snuck in from the beach by the dozen.

Last night’s edition of the same fete, again at the Raleigh, was nowhere near as frantic. The messier door situations were next door at the Shelborne, where a sceney Susanne Bartsch-produced party for local photographer Seth Browarnik blared high-NRG from the pool. This time around, revelers could enter the Raleigh with little-to-no wait, with plenty of elbow room inside — but still enough of a crowd to keep the atmosphere warmed up. (The free Grey Goose helped on that front, too.)

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Crashing LCD Soundystem at Raleigh + Metric Concert

By | December 2nd, 2010 | 3 Comments
James Murphy

LCD Soundsystem's James Murphy doing his job, and doing it well.

I won’t lie. I didn’t secure an invitation to last night’s LCD Soundsystem show at the Raleigh Hotel. Didn’t even know how to go about wheedling my way past the velvet rope. My plan was to go to the Art Loves Music Metric concert on the 22nd Street Beach, then to mosey over to the Raleigh, at which point I hoped luck or sympathy (the bouncer’s) would guide me into the presence of James Murphy and the gang blasting their glorious music into the cool, salty air.

The Metric show ended shortly after 11. The Canadian New Wave act has a decent sound (Twitter tells me they got their first Grammy nomination last night), but the show could not live up to my previous music experience at the same spot — Iggy Pop’s 2007 Art Basel performance, which in my opinion forever hallowed the sand at 22nd Street. Iggy Pop may be an unfair benchmark by which to judge the Toronto-based quartet, but I couldn’t help it. The show was so good the city should erect a statue of Iggy’s taut, ashen body on the spot, and I’m confident anyone who was there would join the petition.

After the Metric show, we walked the four blocks to the Raleigh along the shore. I’d heard competing rumors about the invite-only set and didn’t know whether Murphy was playing alone or spinning or whether the whole band was taking the stage.

But when we got within earshot, it was obvious the full Soundsystem was rocking the Raleigh. There was a small crowd of the uninvited along the boardwalk listening to the music creep through the tree line and over the fence. A few people stood on their toes to try to get a peek at the scene. I approached a side entrance in the hotel’s northern fence and tried to sneak in as a member of the white-clad catering staff pushed a service station into the alleyway. No luck. A young Russian in black uniform pulled the walkie-talkie away from his mouth to tell me the show was private. “I know,” I said. “That’s why I’m trying to sneak in.” He did not appreciate the logic.

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Gatsby Gone Goth and Lincoln Road on Halloween Eve

By | October 31st, 2010 | No Comments

In search of the black breast of the New World, we shimmied over to the Raleigh Hotel last night for Gatsby Gone Goth. Eventually we left to take in Lincoln Road, which resembled Lincoln Road on any other busy night but with a few more self-styled Chilean miners and precisely one more six-foot inflatable penis. Here are some photos from the excursion.

GATSBY GONE GOTH at The Raleigh Hotel: 4th Annual Halloween Event

GATSBY GONE GOTH at The Raleigh: 4th Annual Halloween Event

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